Talwar Gallery is pleased to present, Trysts Tropicales, an exhibition of works by Allan deSouza. These works build on deSouza’s continued engagement with manifestations of desire and loss, whether through the personal or collective experience of the colonial encounter and its legacies.

In Trysts Tropicales, Allan deSouza stages the lingering traces of “colonialism’s culture” as a complex of elusive desires and lost fantasies. On view are two bodies of photographic works, Rdctns and Third Eye. In the Rdctns series, deSouza revisits paintings by Paul Gauguin and Henri Rousseau. The two iconic modernist artists were selected as different tropes of escape, Rousseau having never left France yet creating tropical fantasies, and Gauguin who was constantly traveling in search of a physical paradise. In the Third Eye series, deSouza replays his own encounter with Western art history through a series of self-portraits by different canonical artists, from Leonardo da Vinci to Andy Warhol.

At first sight, the works in both series might appear as color abstractions, but a closer viewing reveals their figurative sources. The dominant color in each work is determined from a particular spot in the original painting: in the Rdctns, the color is chosen from the “furthest point,” usually the horizon line; while in the Third Eye the color is selected from the mid-forehead of each self-portrait, the site of the proverbial “third eye.” Each work is created from a laborious process of digital “erasure” that falls somewhere between rubbing out and a rubbing, bringing the illusionistic depths––the lost horizons––to the literal surface of each image.