Talwar Gallery is pleased to present, Painting Redux, a solo exhibition of works by Allan deSouza. The exhibition will open to the public on December 7 and run through January 15, 2013.  Through the appropriation of iconic paintings, and his virtual, painterly process, deSouza in Painting Redux, traverses past and present, exploring collective and individual encounters with Western art history and canonical Western artists. The familiar, figurative sources of the works, through the process of deSouza’s overlaying are submerged in dense, mostly monochromatic palettes, subtly re-emerging on the surface in residual traces and flecks of color.

In the Redactions series, paintings by Henri Rousseau and Paul Gauguin have been redacted and reworked, where the color is extracted from the furthest point of the painting–usually the horizon–is brought forth to envelop the surface, obscuring the original image. While the works in Third Eye emerge from self-portraits of major Western artists, undergoing a painterly retransformation with the dominant color in each portrait selected from the site of the proverbial ‘third eye’.

There is heightened responsiveness in this body of work; from the seeming tactility of the medium, the variety of marks on the surface, texture in the translucency of erasure, and simultaneous overlaying seen in the most varied notations – from the lightness, the density, and the sheer luminosity of color. Hovering between figuration and abstraction, subjectivity and neutrality, the real and the fictional, Allan deSouza’s works excavate historical, cultural, and ideological constructs, examining the relationship between narratives of collective identity, individual experience, and art history.