N.N. Rimzon’s many-decade career has been devoted to work across media, including installation, sculpture, painting, and drawing. His early artistic formation, in conversation with the tenets of minimalism and conceptualism, has set him apart from a narrative tradition of painting in India. His works examine the relationship between art and life, which has evolved from his deep interest and respect for materials. Rimzon’s work balances recognizable representation with a profound sense of mystery. The figures in his work are symbolic, borderline mythological in their presentation, which follows the reoccurring themes of fecundity and divinity in his body of works. Connections between the natural world and the figure, where the concept of the figure and the environment are at odds, are explored in more narrative-style paintings. Rimzon affirms his practice as an extension of and distillation of the classical thought and traditions that have continued to infuse life and art in India for millennia.
Much of my work might appear to be figurative but there is an underlying representation, whether I deal with spiritual, political or social concerns. I want them to have an ability to heal.
N.N. Rimzon
There is a spiritual protocol in the work of Rimzon, for example where it is the chastened body of sculpture that propels the viewer into a controlled encounter. Though structured within a seemingly tabooed space, the encounter does not involve the raw/dead/real body . Holding off hallucination in the duration of a dream walk, it concretizes an archetype for contemporary use.
Geeta Kapur
The imagery is not very difficult to understand, it is all related to things we see around us. The symbolism comes from our collective memory.
N.N. Rimzon
…the artist harnesses the power of spare line and multiple perspectives within a single frame to beguile the viewer. In bringing together the sacred and the carnal, Rimzon underscores the regenerative energies that such a union could potentially release.
Artforum
The range of Rimzon’s work finds an echo in the varied sensibilities and ideas that he provokes in the viewer, thus confirming his status as one of India’s most deeply intellectual artists.
Rimzon’s works have been exhibited at museums across the globe including The National Museum of Modern and Contemporary Art, Seoul, Korea; Museum of Modern Art, (MuHKA), Antwerp, Belgium; 2nd Asia – Pacific Triennial of Contemporary Art (APT), Queensland Art Gallery, Brisbane, Australia; Kiran Nadar Museum of Art (KNMA), Delhi, India; Art Gallery of New South Wales (AGNSW), Sydney, Australia; Museo de Arte Contemporáneo de Monterrey (MARCO), Mexico; Berkeley Art Museum (BAM), Berkeley, CA;; Busan Biennale, South Korea; Art Gallery of Western Australia, Perth; Asia Society, New York, NY; Queens Museum of Art, New York, NY; 5th Beijing International Art Biennale, National Art Museum of China; Singapore Art Museum; Taipei Fine Arts Museum, Taiwan; National Gallery of Modern Art (NGMA), Mumbai, India and The Stedelijk Museum, Amsterdam, Netherlands.
Nedumgottil Narayanan Rimzon (N.N. Rimzon) was born in 1957 in Kakkoor, Kerala, India. Rimzon earned a Bachelor of Fine Arts (BFA) in sculpture from the College of Fine Arts, Trivandrum (1982), a Masters of Fine Arts in sculpture at Maharaja Sayajirao University, Baroda (1984) and a Masters of Arts from the Royal College of Art, London (1989). Rimzon taught Sculpture at the College of Fine Arts in Trivandrum, India and was the Head of the Art School from 2011-2014. Rimzon lives and works in Trivandrum, Kerala.